GILT WOOD SALON SUITE
Philippe Cote Antiquites — Chauffailles
91 objects found
The bergère armchair emerged in the early 18th century as the ultimate seat of comfort: solid upholstered sides enclosing the sitter, a deep seat with a loose cushion, and a generously curved back. It appears in three great guises — the Louis XV bergère with cabriole legs and carved shell-and-acanthus ornament, the Louis XVI version with straight fluted legs and geometric mouldings, and the cabriolet with its medallion back. Among all antique French armchairs and seats, the bergère remains one of the most sought-after forms by collectors worldwide.
Quality is defined by the timber — walnut, gilded beech or lacquered fruitwood — and by the upholstery: period silk, velvet or needlework. A maker's stamp from a master such as Tilliard, Brizard or Sené adds significant value.
91 objects found
Philippe Cote Antiquites — Chauffailles
Au Réveil Du Temps — Saint-Nabord
French-antiques.fr — Rouen
Antiquités Lecomte — Héric
Antiquités Anne Marie Perrier — La Boisse
Au Réveil Du Temps — Saint-Nabord
Antiquités Christophe Rochet — Villeurbanne
Au Réveil Du Temps — Saint-Nabord
Antiquités Anne Marie Perrier — La Boisse
Antiquités Anne Marie Perrier — La Boisse
L'atelier De La Dorure — Calmont
Eric Saget — Paris
Antiquités Anne Marie Perrier — La Boisse
Antiquités Anne Marie Perrier — La Boisse
Antiquités Anne Marie Perrier — La Boisse
Antiquités Christophe Rochet — Villeurbanne
Philippe Cote Antiquites — Chauffailles
Galerie Lauretta — Mandelieu-la-Napoule
Au Réveil Du Temps — Saint-Nabord
Au Réveil Du Temps — Saint-Nabord
Antiquités Anne Marie Perrier — La Boisse
Romain Lichtensztein — Maignelay-Montigny
Antiquités Anne Marie Perrier — La Boisse
L’ESTAMPILLE — Navilly
Authenticating a genuine period bergère armchair begins with the structure. Look for mortise-and-tenon joints secured with wooden pegs, hand-tool marks on the inner surfaces of the frame, and a natural, uneven patina on the wood. On an authentic Louis XV bergère, the cabriole legs and carved decoration — shells, acanthus leaves, interlacing — are cut directly from the solid wood, never applied as separate mouldings. A Louis XVI example should show evenly spaced fluting, rosettes at the corners and tapering turned legs with a clean geometric profile.
The hot-iron stamp, struck beneath the seat rail or on the inner face of a leg, identifies the maître menuisier en sièges who made the chair. Names such as Georges Jacob, Jean-Baptiste-Claude Sené and Nicolas-Quinibert Foliot command a significant premium. Where no stamp is present, documented provenance — an estate inventory, a dealer's label, a sale catalogue — remains a strong supporting argument. Be cautious of beech bergère chairs with heavy repainting, as thick layers of paint can conceal replaced timbers or structural repairs.
Original upholstery in brocaded silk, Beauvais needlework or period velvet adds considerable value; a sympathetic modern re-cover in a period-appropriate fabric is perfectly acceptable provided it is disclosed. Check that the webbing and horsehair padding are consistent with the stated date. Budget roughly £400–£1,500 for a good unlabelled production chair, and £3,000–£15,000 or more for a stamped example by a recognised master with period upholstery intact.
On Antiquités en France, every antique bergère armchair is offered by a verified professional dealer who can supply detailed photographs, exact dimensions and the full history of the piece. Consider exploring matching pairs of antique armchairs to furnish a drawing room with coherence, or browse the full range of antique French seats and armchairs to widen your search.