French Violin 4/4 by Laberte workshop at Mirecourt in perfect condition, ready to be played.
Top table in spruce, maple sides and bottom.
Working early 20th century.
Length : 14 in
Provenance: conservatory violin teacher.
Marc André Joseph Laberte (29 May 1880 – 29 March 1963) son of Pierre Alexis Auguste Laberte, was trained as a luthier as well as a bow maker. As early as 1911, he began to play an active role in the Laberte-Humbert Frères company.
The Laberte workshop produced large range of instruments and bows consistent in quality, employed over 300 people by 1920. In addition, many skilled master makers worked for Laberte, including Camille Poirson, Charles Brugere, and Georges Apparut. The workshop owned a fine collection of instruments from all the famous makers including Antonio Stradivari, Guarneri del Gesù, Giuseppe filius Andrea Guarneri, Francesco Ruggeri, Nicolas Lupot, Jacob Stainer, and Jean-Baptiste Vuillaume. They were meticulously examined and used as models for their own instruments. The workshop was disrupted in the war, and productions resumed after the war ended. The workshop continued for several years before it eventually closed down.
Marc Laberte was born into a family of violin makers. His great grandfather set up a workshop in Mirecourt around 1780. On 21 May 1904, he married Marie Adeline Josephine Thérèse Drouin but she died on 15 December 1909. Before her death, she gave birth to André Emile Philippe Laberte; Philippe, as he was known, would become a violin maker like his father. After the death of his first wife, he married again, this time to Geneviève Josephine Paule Francine Thouvenin on 15 April 1912 in Besançon. They had a daughter on 6 June 1916 named Claude.
Thanks to his efforts, the firm Laberte Humbert Frères developed a production of high quality instruments alongside its "workshop-like" production. As a sign of legacy instruments bearing the Laberte Humbert label, with or without the round stamp that reads LH, are always of the highest standard. Those bearing the Marc Laberte label, with or without the reference to one of the instruments of his collection, are always made with careful attention to the choice of wood and craftsmanship. These best instruments were produced by a small team of skilled craftsman known as “l’Atelier des Artistes”. The list includes Joseph Aubry, Charles Brugère, and Camille Poirson, among many others, who worked with this special team of violin makers. Georges Apparut, who joined Laberte Humbert Frères toward the end of 1902 and who remained with the firm for 21 years, was in charge of this “artistic” production.
In 1915 Marc Laberte joined Fourier Magnié (1868-1946) and established the new firm under the name "Laberte-Humbert Frères, Fourier Magnié Réunis". A comprehensive catalogue, including the complete range of products and instruments in the lutherie field was published by the firm that same year.
In 1927, the firm continued its development by buying the well-known trademark "A La Ville de Cremonne” from Paul Mangenot. One can find this mark stamped with its characteristic triangular shape on the inside back of many good Mirecourt violins of the 19th century. Included in the deal was the use of names such as Honoré Derazey, Just Derazey, Paul Mangenot, and Didier Nicolas aîné, the last of whom was first to have used this trademark. Soon thereafter in that same year, a new catalogue including the recently acquired brands was published, this time under the name Laberte & Magnié. It is interesting to note that this same catalogue includes two pages dedicated to the collection of antique Italian instruments belonging to Marc Laberte and the “copies” available for purchase that were made after the originals. On these instruments, the label of "Marc Laberte, Maître Luthier" appears beside a reproduction of the Italian maker's label.
In 1931, Laberte received the Grand Prix for the Stradivox Magné, a phonograph, which was produced in different versions. These attempts at diversification were made to help the firm withstand the increasing competition and recession effects during that period.
Unfortunately, World War II brought despair on Mirecourt as well as the rest of Europe. The Laberte production ended entirely, as the stock and production tools were raided and stolen. By 1944 the firm resumed its activity, but the production never reached the same levels as prior to the war and eventually the difficult economic climate during the post war years, led to the unavoidable decline of the Laberte production. Philippe Laberte, Marc Laberte’s son, joined the firm during this period and tried to maintain a production catered toward the high end of the market. Marc Laberte died in 1963.
Length : 35,5 cm
Category : Miscellaneous
Style : Modern Art
Period : 20th century
Price on demand
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